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Pride and Prejudice, My Favourite Book
There is no denying the fact that Jane Austen’s novel Pride and Prejudice is an emblem of social reforms rooted in communal life, namely love, brotherhood, social conflicts were emphasized as a hesitant flow. Jane Austin was born in 1775 in Steventon, England, where she lived for the first twenty-five years of her life. Her father, George Austen, was the clergyman of the local community and raised her for the most part at home. She started writing in her teens and between 1796 and 1797 she was talented in the innovative screenplay of Pride and Prejudice, the patrician’s first impersonation. The publisher rejected the script, and it wasn’t until 1809 that Austen began the edits that passed it along. its final superficial manifestation. Pride and Prejudice was printed in January 1813, two years after Good Find and Vulnerability, her first novel, and achieved a good look that has endured to this day. Austen published four more novels: Mansfield Park, Emma, Northanger Abbey and Persuasion. The last two were available in 1818, a year after her death.
However, throughout Austen’s life, only her immediate family knew of her authorship of these novels. At one point she wrote on a door that creaked when visitors approached; this admonition allowed her to remove the manuscripts before anyone could enter. Although publishing incognito prohibited her from obtaining authorship status, it also allowed her to maintain her privacy at a time when English society associated a woman’s entry into the public space with a punishable loss of femininity. Additionally, Austen may have sought anonymity because of the more general atmosphere of repression permeating her era. As the Napoleonic Wars (1800-1815) threatened the security of monarchies across Europe, government censorship of literature proliferated. The social milieu of Austen’s Regency England was largely stratified, and class distinctions were rooted in family connections and wealth. In her work, Austen often criticizes the assumptions and prejudices of upper-class England. He distinguishes between internal merit (a person’s goodness) and external merit (rank and property). Although he often satirizes snobs, he also pokes fun at the bad breeding and bad behavior of people on a lower social level. Still, Austen was in many ways a realist, and the England she portrays is one where social mobility is limited and class consciousness is strong. Socially organized ideas about appropriate behavior for each gender were also reflected in Austen’s work. While social advancement for young men lay in the army, the church, or the law, the main method of self-improvement for women was the acquisition of wealth. Women could only achieve this goal through a successful marriage, which explains the ubiquity of marriage as a goal and topic of conversation in Austen’s writings. Although young women in Austen’s time had more freedom to choose their husbands than in the early eighteenth century, practical considerations continued to limit their options.
Yet critics often accuse Austen of portraying a limited world. As the daughter of a clergyman, Austen would have done parish work and must have known about the poor around her. But she was writing about her own world, not theirs. Her critique of class structure seems to include only the middle class and upper class; the lower classes, if they appear at all, are generally servants who seem perfectly content with their lot. This lack of interest in the lives of the poor may be Austen’s failure, but it must be understood as a failure shared by almost all of English society at the time.
In general, Austen occupies a curious position between the eighteenth and nineteenth centuries. Her favorite writer, whom she often quotes in her novels, was Dr. Samuel Johnson, the great model of eighteenth-century classicism and reason. Her plots, which often feature characters carving their own paths through an established and rigid social hierarchy, bear similarities to such works by Johnson’s contemporaries as Pamela by Samuel Richardson. Austen’s novels also show an ambivalence about emotion and an appreciation of intelligence and natural beauty that links them to romanticism. They foreshadow much of Victorian literature in their awareness of the conditions of modernity and urban life and the implications for family structure and individual characters (as does its use of such elements as frequent formal social gatherings, sketchy characters, and scandal).
It is a universally recognized truth that a single man who has a large fortune must be in want of a wife. The news that a wealthy young gentleman named Charles Bingley has leased an estate known as Netherfield Park causes quite a stir in the neighboring village of Long bourn, especially in the Bennet household. The Bennets have five unmarried daughters, and Mrs. Bernetts, a foolish and fastidious gossip, is the sort who agrees with the opening words of the novel: “It is a universally acknowledged truth that a single man who has a great fortune must be in need. wives.” Seeing Bingley’s arrival as an opportunity for one of the girls to secure a rich husband, she insists that her husband call the new arrival immediately. Mr. Bernett torments his family by pretending to be disinterested, but eventually he meets Mr. Bingley without them knowing.When he reveals to Mrs. Bennet and his daughters that he has met their new neighbor, they are thrilled and excited.
The Bennets’ neighbors are Sir William Lucas, his wife and their children. The eldest of these children, Charlotte, is Elizabeth’s closest friend. The morning after the ball, the women of both families discuss the evening. They decide that while Bingley first danced with Charlotte, he thought Jane the prettiest of the local girls. The discussion then turns to Mr. Darcy, and Elizabeth declares that she will never dance with him; everyone agrees that Darcy, despite his family and possessions, is too proud to be likable.
The Bingley sisters exchange visits with the Bennets and try to befriend Elizabeth and Jane. Meanwhile, Bingley continues to pay attention to Jane, and Elizabeth decides that her sister is “very much in love with him in a way” but is very good at hiding it. He discusses this with Charlotte Lucas, who comments that if Jane hides it too well, Bingley may lose interest. Elizabeth says that it is better for a young woman to be patient until she is sure of her feelings; Charlotte disagrees that it’s best not to know too much about her future husband’s faults.
Darcy finds himself attracted to Elizabeth. To her surprise, he starts listening in on her conversations at parties. At a party at the Lucas house, Sir William tries to convince Elizabeth and Darcy to dance together, but Elizabeth refuses. Shortly afterwards, Darcy tells Bingley’s unmarried sister that “Miss Mrs. Burnett” is now the object of his admiration.
The reader learns that Mr. Bennet’s property is tied to it, meaning that it must pass to a man after Mr. Bennet’s death and cannot be inherited by any of his daughters. His two youngest children, Catherine (nicknamed Kitty) and Lydia, amuse themselves by beginning a series of visits to their mother’s sister, Mrs. Phillips, in the town of Meryton, gossiping about the militia stationed there.
One night, while the Bennets are discussing the soldiers over dinner, a note arrives inviting Jane to Netherfield Park for a day. Mrs. Burnett conspires to send Jane on horseback rather than in a carriage because she knows it will rain and Jane will have to spend the night at Mr. Bingley’s house. Unfortunately, their plan goes too well: Jane is soaked, falls ill, and is forced to stay in the Nether field as an invalid. Elizabeth walks to visit her. When she arrives with her stockings soaked and dirty, she causes quite a stir and is certain that the Bingleys despise her for her dirty clothes. Jane insists that her sister spend the night, and the Bingleys agree.
That night, when Elizabeth visits Jane, the Bingley sisters make fun of the Bennets. Darcy and Mr. Bingley defend them, although Darcy admits, firstly, that he would not wish his sister to ever go on such a walking expedition, and secondly, that the Bennets’ lack of property and family make them poor marriage prospects. When Elizabeth returns to the room, the discussion turns to Darcy’s library at his birth home in Pemberley, and then to Darcy’s views on what constitutes an “accomplished woman”. After he and Bingley list the attributes such a woman would possess, Elizabeth declares that she “never saw such capacity, taste, application, and elegance, as you describe, combined”, implying that Darcy is too exacting. There is no denying the fact that the second daughter in the Bennet family and the most intelligent and quick-witted, Elizabeth is the main character of Pride and Prejudice and one of the most famous female characters in English literature. Her admirable qualities are numerous—she’s kind, smart, and in a novel defined by dialogue, she’s as great a conversationalist as anyone. Her honesty, virtue and lively wit allow her to rise above the nonsense and bad behavior that pervades her classy and often vicious society. Yet her sharp tongue and tendency to make hasty judgments often lead her astray; Basically, Pride and Prejudice is the story of how she (and her true love, Darcy) overcome all obstacles—including her own personal failings—to find romantic happiness.
Elizabeth must not only cope with a desperate mother, a distant father, two ill-mannered younger siblings, and several snobbish, hostile women, but also overcome her own false impressions of Darcy, which initially led her to reject his advances. marriage. Her charms are enough to keep him interested, thankfully, while she navigates family and social turmoil. As she gradually learns the nobility of Darcy’s character, she realizes the error of her initial prejudices against him. Darcy, the son of a wealthy, well-established family and lord of the great Pemberley estate, is Elizabeth’s male counterpart. The narrator depicts Elizabeth’s view of events more often than Darcy’s, so Elizabeth often comes across as a more sympathetic character. However, the reader eventually realizes that Darcy is her ideal partner. Intelligent and honest, he also tends to judge too hastily and harshly, and his high birth and wealth make him overly proud and overly concerned with his social status. Indeed, his haughtiness initially causes him to scuttle the courtship. For example, when he proposes to her, he dwells more on how unsuitable a partner she is than on her charm, beauty, or anything else that is flattering. Her rejection of his advances builds a kind of humility in him. Darcy demonstrates his enduring devotion to Elizabeth, despite his distaste for her lowly relations, when he saves Lydia and the entire Bennet family from disgrace and when he goes against the wishes of his haughty aunt, Lady Catherine de Bourgh, by pursuing Elizabeth. Darcy proves himself worthy of Elizabeth, and she ends up regretting her earlier, overly harsh judgment of him. Elizabeth’s beautiful older sister and Darcy’s wealthy best friend Jane and Bingley take part in the courtship that takes center stage in the novel. They first meet at a ball in Meryton and enjoy an immediate attraction to each other. They are talked about as a potential couple throughout the book, long before anyone imagines that Darcy and Elizabeth might get married. Despite their central role in the narrative, they are vague characters that Austen sketches rather than carefully draws. Indeed, they are so similar in character and manners that they may be described together: both are cheerful, friendly, and good-hearted, always ready to think the best of others; they completely lack the prickly egotism of Elizabeth and Darcy.
Given the above, it is evident that Jane’s calm spirit serves as a wrench for her sister’s fiery and argumentative nature, while Bingley’s enthusiastic openness contrasts with Darcy’s rigid pride. Their most important difference is goodwill and compatibility, and it is worth noting the contrast of their anecdote with that of Darcy and Elizabeth. Jane and Bingley demonstrate the reader’s validation of true love unfettered by either pride or prejudice, though in their plain decency they also convey that such a finding that it is irresistible is quietly unexciting.
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