How Old Is The Girl In No Time To Die Alabama Intruder (A Short, One Act, Three Scene Play)

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Alabama Intruder (A Short, One Act, Three Scene Play)

(Originally written in short story form, in the book “Stay Down, Old Abram”, as the story of the chapter “Black Girl Walking”, 2001; rewritten 01/06/2008 by the same author as a scene of one act, three Plays)

Based on the true events of 1970

The structure of the game

Black Girl Waling Dialogue

Note: It should be noted that the dialogue for the black woman is according to the southern dialect of the 70s, of that time, period and place. It’s not saying that the game dialogue can’t be smoothed out, yes if the character needs it, but it seems to me that it would do better with a setting, as well as a date that can be moved up or back, but again it fits…I believe that it is not necessary, so I leave it to the discretion and discussion of the theater and its actors and their abilities in this area. This means that if the dialect is counterproductive for the theater or too difficult to resort to plain English, it is not difficult to change a few letters in the words presented in the dialogue.

Plot

The plot and action are fluid and simple and can be boosted with motivation when needed; that is, he wants instructions and goes further than normal to get them, but the character has to show how far he will go, his dramatic reactions can achieve this. As you’ll see as you read, we’re all about plot progression more than character development.

The first act

(from one meeting)

First scene

On the street, downtown, Huntsville, Alabama, 1970,

11:30 am.

One side of the street is empty, the stage, it’s lit, so everything can be seen easily in this scene, maybe the spotlight beam on the left side of the street will help. The right side has some stripes and creases on it, leave it in the shadows as if it were mysterious. There are a few items here and there that bear the symbolism of the South, the last final seat, if not the voice of the populace that says whites and blacks still haven’t come to a full understanding or agreement on equality, equal rights. and liberty among all, here in Alabama, 1969.

A white boy from the Midwest, a private first class in the Army, is stationed at the nearby Redstone Arsenal for pre-college training, having just returned from boot camp at Fort Bragg, although this background information is irrelevant to the scene, it may be used to clarify for the curious in the audience , if the storyteller wishes to mention it, or have it written in the leaflet. A black girl goes to the corner; it would appear that he intends to stop at a red light, wait and cross. A white soldier is behind her looking with a green dress in his hands, with army green, he himself is dressed in civilian clothes and is looking for a cleaner to iron his uniform. He’s a Midwestern boy, 22 years old. The girl is black and pretty, maybe between eighteen and twenty, dressed neatly, with a white blouse and a light skirt, a mythical expression appears on her face when she realizes that a white boy is walking behind her and saying something, but you can’t here what he’s saying, which it turns her face into a frightened one, they – for the moment – are the only ones in the street, she turns her head slightly to see him, the length between them reduced to two yards, or about six feet.

It is also symbolic, it is the ignorant young generation of the conservative Midwest, it could be someone’s idea of ​​America apparently disparate in the fact that the United States has just been thrown out of bed or out of their closet, to look at equal rights in America, black and white issues. The boy soldier is neatly dressed; her hair is semi-short, nicely combed. Now they look at each other, they don’t move, the fabric store is right in front of them, on their left, one that you can walk on one side and come out the other – like a horseshoe. In the middle is the dress.

A white midwestern boy

Wait! Please wait! I mean, good morning, please wait!

(they look at each other, the black girl doesn’t answer: the white boy from the Midwest, even though he’s still staring and watching the black girl next to the fabric store)

Is there something wrong… I mean I just want directions?

Black girl walking

No. Can’t you all see that there are no black people talking to white boys, look across the street, do you see any black people walking there? You must be from the north, leave me alone white boy before they all hang me and beat you up by your own kind!

The boy takes out a cigarette from a box in his shirt pocket, he is wearing a light jacket, he seems to be ready for such a need, he is confused, or so it seems, and the weather is cold.

So (says the black woman) you won’t come to me again, will you?

A white midwestern boy

(pulls cigarette out of mouth)

What, no directions to the dry cleaners?

Black girl walking

No! I’m not talking to you: ask someone else. I’m getting killed because my uncle hanged himself six weeks ago, now go ahead and I’m not lying. You are not a pest!

(after a while,: looks around, doesn’t say a word, stares at the clothing store, rushes into the turnaround and pretends to be looking at cloths, doesn’t go into the store: then:)

Scene two

Same location as scene one, but changed to a fabric shop turnaround where there are fabric windows, glass windows. The times haven’t changed much, so for the most part, no lights need to be changed from scene one; although you may no longer see the street, perhaps through the reflection of the glass. The black girl and the white boy did not exchange names, so they are only known as the black girl walking and the white midwestern (or for her: northern) boy from the north; so it should be inferred from their faces and tone of voice, especially when the black girl buries her face somewhat into the glass window and pretends to look at the fabrics when she’s really trying to avoid the intruder.

Black girl walking

Uncle Josh is right…people like you, from the north, don’t understand, something about us people here, we like to ask, they just get me in trouble, and then you’re all gone, it’s like that, and you don’t know people beat her and think si they will have to follow the law and the next thing you hang up and all the laws in the world won’t bring you back and then the white people up north sorry but sorry don’t do anything to bring uncle josh back. If the white people see me talking to you it will be a problem… you just won’t see it until it happens then it’s too late…

A white midwestern boy

Tell me about your uncle?

Black girl walking

(fast)

You’re crazy. They hung him out of town, in a farm pasture, from an old tree, old crows came around him to see him die, that’s all, a tree and old crows, and when we go there to get him to bury him properly like, an old man from farms, he is just watching you as you are about to rob his garden. That’s it, no more, no trial, nothing, just a hanging…one of many!

(he lets out a long sigh, slowly, with a kind of despair, when the boy drops his cigarette on the floor, extinguishes it with his shoe)

He’s not even looking at the boy, he’s standing four or five feet away from her, looking at the glass window, fingers pressed against the glass, resting his face against it for a moment, then withdraws.

Black girl walking

I think there might be a dry cleaner somewhere, on the other side of where you all came from, down the block…

(pointing to her right side which would have been his left as he walked down the sidewalk trying to get in, her face half hidden)

The white boy now seems that things are not as he thought, they are more serious, he looks at the street, several cars pass by, he notices that no one from the cars is looking at him, but the black girl is blind to the road, he wants to go to her to reach out, he starts and doesn’t dare, even shielding his eyes from what anyone might see if the boy did something stupid.

A white midwestern boy

Yes. Go ahead. I’m sorry for causing you so much grief, I think I let it go too far, I should have gone my own way…and what you said about your uncle, I mean he was dead, hanged in Alabama because for whatever reasons i find it hard to believe but i believe you… no cars coming, no one watching, you better drive!

Scene three

East

Looks similar to scene one; you see a boy looking down the street and a black girl walking across the street where they originally met. The girl stops, back to the boy, they are some distance away, she starts to turn her head, but stops and at that point automatically turns her back to her, in case she decides to continue the contest. turn around… and the curtain will come down.

Curtain

Notes: The author was stationed at Redstone Arsenal in February and March 1970 at the same location of the United States Space Center program.

The Saturn V, used by the Apollo program for manned missions to the Moon, was developed from the Redstone Arsenal. Huntsville continues to play an important role in the United States Space Shuttle and International Space Station programs. An estimated 1 in 13 Huntsville residents are employed in some engineering field.

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