Childrens Bouncy House For Up To 10 Years Old Girl My Dozen

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My Dozen

Those albums happened around the time I was doing that. I was really into real R&B and still am. Those kinds of tunes were very real—they had an honesty to them. Those artists communicated with people, they were about the times and what was happening in our country at that time. You listen to those tunes, you know what happened at the time. They were great musicians because they played from the heart.

There wasn’t a lot of polish on those records. Motown was great in its own way, but in Memphis we didn’t have the polish, we weren’t trying to do it that way. At Motown they had their own recording methods and we just came from the hip, honestly – whatever it took, we did it. As Rufus Thomas used to say, “Up north it’s Motown, but below the Mason-Dixon line, your ass is mine!”

The essential collection

Artist: Ray Charles

Release date: 2002

I first learned about Ray in the 1950s. I just saw a guy with sunglasses and I thought that was cool. At first he sounded like call-and-response gospel, but he revolutionized it with the electric Wurlitzer piano—it was a different sound, I’d never heard anything like it. Or seen something similar – the case of that piano looked like papier mache. He’s got tunes like “What’d I Say” and “I Got a Woman” and “Georgia on My Mind,” “Baby Won’t You Please Come Home,” which are so emotional. It happened, it communicated. He’s got some standards, he’s got some funk and R&B and even some country. Unfortunately, Rey is no longer with us, but this album could introduce her to the younger generation. And some of his longtime fans might find certain tunes they’ve been looking for here.

When a man loves a woman

Artist: Percy Sledge

Release date: 1966

I was playing in Bowlegs Miller’s band when that song came out. We used to be on the road a lot and “When a Man Loves a Woman” would be all you would hear on the radio. The music is simple, the lyrics are simple, the whole melody is very repetitive, but it drives home: When a man loves a woman – really loves her – all these things can really happen. And he empowers the woman by saying that. It’s like a covenant. It’s a classic. That song didn’t really influence me musically, but it opened me up to falling in love.

Spindle

Artist: Isaac Hayes

Release date: 1971

I just had to post it. A collection of songs – a lot of hits came out of it. I like “Love Theme” where Shaft makes love to his woman and also “Café Reggio”. And “Soulsville,” which plays during the montage of Shaft walking around Harlem — people can still understand that song because the ghetto is still like that. “Do your thing,” people will always relate to. “Bumpy’s Lament” came after one Saturday night when I was working until dawn on the score in LA, and in the morning I was driving home through La Cienega with all this paper pouring down the streets from what happened the night before; as soon as i got home i wrote this tune. Shaft is still relevant, still alive – and part of what keeps it alive is sampling. Hiphoppers read a lot of my stuff, so the music stays in people’s minds after all these years. The subject of tunes is still relevant and the sound is still preserved due to sampling.

Remember Me

Artist: Otis Reding

Release date: 1992

Otis is important because he was once a powerful force. He was exciting to see and his sound was unique. Even his voice was unique. Most of the pop world remembers him from “Dock of the Bay” for when he traveled to Monterey to play the hippies at that festival. Otis could really belt out a tune. There was a begging thing in his voice. He pulled all the emotions out of one word. Whatever Otis does, he makes it his own.

Funky Chicken

Artist: Rufus Thomas

Release date: 1997

Rufus believed in singing humorous songs. He could take a nursery rhyme and make something out of it – in fact he did with “Old McDonald Had a Farm” – parts one and two! Rufus came out of vaudeville and honed his craft there, so he made humor from the jump like “The Preacher and the Bear” or “The Itch and the Scratch.” And he had some funky beats like “Boogie Ain’t Nuttin’ (But Gettin’ Down)” and “Turn Your Damper Down,” and if you ever heard his slow tune, he had a nice vibrato. People need to hear raw R&B with humor and Rufus delivered. He was a communicator. It made you feel good, really made you feel good.

The absolute best

Artist: Ike And Tina Turner

Release date: 1998

Tina is from Nutbush, Tennessee, less than twenty miles from where I was born. She is the most exciting person to see on stage. And Ike, people forget that he’s one of the forefathers of rock and roll—Sam Phillips visited him at Sun Studios very early on, and Ike had a thing called “Rocket ’88,” which is one of the first rock and roll tunes. And he used a lot of this experience with Tina. “I Idolize You” is one of their earliest songs and they use Iketes very well in it. Same with “Work Out Fine” – it’s also a good use of backup singers; they use reverb in the vamp very well there too, just like Phil Spector with that “wall of sound”. Spector did “River Deep, Mountain High” with them and Tina just made it her own, it’s a masterpiece. Same with Stevie Wonder’s “Living for the City.” Also, Ike was a great producer – you might not agree with his methods, but he got results, you know what I’m saying?

The seventh wonder

Artist: James Brown

James always used whatever fad was happening at the time, like hot pants. Tunes like “Cold Sweat” and “I Got the Feelin,” those beats and the way they combined with the horns, he just did it. One of his great ballads that dominated the airwaves was “It’s a Man’s World,” a minor-key piano, yet another woman-glorifying tune. The world would be nothing without a woman or a girl. James always knew what to say. On “Papa’s Got a Brand New Bag,” he said he’s got something new — whatever he does best now has a brand new one. That was one of the great things about James as he continued to develop. My daughter sang with James for six years. She always told me that she learned a lot from Mr. Brown. He had such a command, especially live – when he played, people went crazy. That’s what you hear in these tunes.

McLemore Avenue

Artist: Booker T. And The MG’s

Release date: 1970

They cover some songs from the Beatles album Abbey Road, and the cover is a reference to the image on the cover of Abbey Road, except they cross Macklemore Avenue, which was the street Stax was on. At Stax, we listened to everybody, and the Beatles really moved us. We used to listen to some of those breaks like “Day Tripper” and it found its way into our music. The way they made their beats was influential, like on ‘Here Comes the Sun’, the beat was offbeat but still on the beat like some jazz tunes. When Stax went to England it was a huge hit – Booker T., Otis, Sam & Dave, we developed a great affinity with British music and British audiences. About a year later, the Beatles were supposed to come to Stax, but somebody let it slip and it spread like wildfire and the girls settled and everything and they had to cancel.

Only the strong survive

Artist: Original Soundtrack

Release date: 2004

DA Pennebaker and Chris Hegedus did a documentary about some of us Stax people that came out a couple of years ago and everyone was still great. This whole movie was part of the 60s and 70s. Back then, R&B held a huge reign in popular music. You hear the tunes on this album, you can hear it. This is unadulterated R&B—it’s right there, in the chords, the beats, and the theme—the stuff that happened in the hood, the thing that people loved in the hood, it’s all there. In a live performance, people stretch the tunes a bit – they want to capture the whole essence of the moment, maybe talk about what they saw backstage and the whole scene. You have a live audience and you have to work with your audience. It’s not like a record – it’s a beautiful exchange. You get so much from the audience, take your time and do it… do it until you’re satisfied.

The best of the Staple Singers

Artist: The Staple Singers

Release date: 1990

This music just makes you feel good. The Staple Singers came from true raw gospel and they were a family and had the harmony that a family would have. It was raw and pure — “I’ll Take you There,” that bass line, it’s raw, man. And Mavis, her vocalist, oh man, she made these different sounds, bubbling sounds deep in her throat, or she could improvise and have fun. Pop played his guitar with that tremolo like you sing in church. It took me back to the old country days when I was a kid in church – you would stamp your feet and it would kick up little clouds of dirt on the floor. This is what you want to do. Thank goodness Staks had the knowledge to capture it and present it to the world. They came together at a time when the civil rights struggle was in full bloom and they were thinking of better days. It was about the brotherhood that was needed in those days.

Lord of great things

Artist: Jean Knight

Release date: 1971

This tune “Mr. Big Stuff” is all about that. Just listen to those horn lines – Stax was always known for their horn lines. You know, Jean was different. She was not fat, but full-bodied, and yet her voice sounded very feminine. In many of her songs, she is someone who was trying not to get beat by something, a rambunctious character. Like in “You City Slicker” she’s a country girl and defends herself against this city boy or “Call me a fool if you want” – she just doesn’t care what people say about her. The tunes she chose meant something to her, like “Why do I keep living these memories,” it’s clear that they were good memories and she was going to go back to them.

The Great Isaac Hayes: Can You Dig It? (Disc 1)

Artist: Isaac Hayes

Release date: 2005

This is a great collection from the early Stax days, very comprehensive. It has so many soulful tunes and shows how I became a #1 seller for Black Moses and Stax. That’s how I got to where I am today – at the beginning of my journey. These tunes reflect the times and express true soul music as well. In addition to the songs I wrote myself, there are things I wrote with my writing partner Dave Porter (“Help Me Love”), duets (me and Dionne Warwick on “By The Time I Get To Phoenix/Say A Little Prayer”) and What I also became famous for: Interpreting songs by other artists, such as Burt Bacharach’s “The Look Of Love” and “I Can’t Help It (If I’m Still in Love With You),” which was originally Hank’s country song . Williams. There are also some movie themes: “Shaft” (of course!) and “Theme From Men”. Also check out the “Three Tough Guys” title theme recently used in Kill Bill: Volume One and Two.

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