Bye Bye Baby Best Gifts For One Year Olds Girls Oh Go On, Say You’ll Be My Baby

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Oh Go On, Say You’ll Be My Baby

We’ve probably never given Australia the credit it really deserves when it comes to exporting some pretty good music to our oil stained shores. It seems we tend to only think of girl-next-door star-turned-cancer-battling-pop-goddess Kylie Minogue as the only good thing that ever came out of the land that gave us Kevin ‘bloody’ Wilson.

OK, so we can take a moment to remember the sultry vocals of a Morrisonian Hutchinson and his band INXS, but the story of the Aussie’s contribution to modern audio doesn’t end there. So maybe it’s high time we gave Savage Garden a loving hug.

Donning the style of a meaningful male duo and occupying a graceful place in the ranks of unusual and slightly effeminate male groups, Savage Garden first entrusted their black eyeliner and crooning vocals to us in June 1997 with the rather straightforward song “I Want You”. basically, a no-holes-clogged “come and get me you beast” type track that was enough to stun even the mildest of stalkers. Letting us slip into an ‘I’ll say yes to anything’ trance, the low crooning vocals gave us just about the most captivating track of the year. Like nothing the roadside public hadn’t heard in a long time, its repeated muttering transported us to another world. From normal and at 30,000 miles above sea level, this track caused a huge increase in sleepwalking (just kidding). Reaching the heady heights of No. 11, the rest of their short three-year career felt like a melodic rock. Tragically, their story of incredible international impact rose dramatically up the charts and faded just as readily.

Their first album, Savage Garden, proudly rose to number two in March 1998, giving us a mix of established hits and exciting future releases. It would have been easy to believe that the rate of their gathering in our hearts should have been constant. However, since their first single was number one in Canada, their hardest work had already gone unnoticed. Since signing up in 1993, teacher and aspiring vocalist Darren Hayes teamed up with more than talented keyboardist Daniel Jones, who broke away from a mediocre band to launch Savage Garden.

Not many debut albums have ever gone platinum across the Equator, yet this album brimming with eclectic ideas proved to the world’s ears that this group is a phenomenon of exceptional and diverse songwriting. instrumental capabilities. Perhaps the track we’re most familiar with from this album is the stormy ‘To The Moon And Back’, packed with all the rock slants Richard Marks would have had if he’d stayed with a proper label. First released while the rest of the world slept one day in September 1997, it completely missed the mark. If only the volume had perhaps been set to a different number (Nigel Tufnell of Tap could have helped here), it strangely fell to 55. This dramatic piece, full of depth, anger and a mass of fading violins, should have produced more. poison than it was the first time. Fortunately, Columbia got the point and reissued the single the following August, and the result was a violent elbow to third. This space-age intro sets us up completely for something pretty big. Teasingly bordering on the cusp of soft rock and grunge pop, it was easy to see that this band could be responsible for all manner of genres as well as young teenage girls wetting their pants…

If there could be another song nearly as depressing and as irritating as ‘Anything I do’ from a thrift shop-clad Bryan Adams (the man who never gave Levy a good name), then Savage Garden’s ‘Truly, Madly, Deeply’ wins. second prize for a short break for two in Hull. Beautifully poetic and as nauseating as having two fingers down the throat of anyone recently single, this track was the icing on the cake for all those poor mums stuck with loads of teenage laundry. This track had all of us under the age of sixteen reaching for the bucket and wishing we had a dog. Well, someone bought it and many copies of it as it sat uncomfortably in fourth place and got the most airplay People Buy LBC Shares (97.3). ….

The rest of the album seems to be a mild disappointment. The oriental undertones of ‘Tears Of Pearls’ might be something we’d have mulled over in this vaguely conventional disco pond if it weren’t for the chorus, which magically lifts the mood and all. mildly pleasant from the track. There may be too many True, Sick, Sweet words in the “Universe”. Sometimes a band has to give a wide berth to certain styles, and lounge-themed easy-listening anthems are a definite no-no for this 90s rock/pop band. While Hayes pulls off the soft, seductive vocals quite well, it’s just not worth it when you think about it coming dangerously close to a Michael Jackson B-side. On the same theme, Australian single ‘Break Me, Shake Me’ is close to the same scary corner. Too tragic, that’s about the same level MJ was trying to get to when he decided to have a little fun with his kind of heavy metal – you guys, I’ve managed to annoy some of you with MJ and heavy. metal in the same sentence and for that I fall on my knees for your forgiveness….

“Carry On Dancing” seemed to me to be an easy take and try the space age theme again. Where some bands in the past have taken the best aspects of a good hit and turned an entire album on its side, filling it with about ten different angles of this single, it seems like Savage Garden felt the urge to do the same. thing. They don’t, but they come too close to it. The wit of ‘To The Moon And Back’ is very evident in ‘A Thousand Words’, but it’s a theme that suited them. It’s a let-off to Hayes’ aching vocals and Jones’ free time on keyboards and a drum machine his mom probably bought him one Christmas. It’s still a breakthrough moment for the album and ‘Moon’, fans will be excited about this track, however one piece doesn’t make a band as they say in the old industry…

The last track, so this album will tend to pass you by, so be careful with these dull tracks. The final “Santa Monica” might not have the same sparkling ring if you changed the words to “Kidderminster, in the Winter time…”, but it’s still listenable, only more so if you change the words. around for your entertainment. It’s soft and mellow and won’t disappoint teenagers or the faintest of imaginations in the least, so we have to be relieved it’s not some fast last-minute solid like prog-rock or, worse, pop-reggae, so thanks guys… .

The album will be of interest to anyone who remembers them and to anyone still studying social history. They may not deserve a reserved seat in the theater of modern music history, but their rapid career is still worth mentioning, even if you’re not from Oz…

They divorced in 2001

Their compilation ‘Truly, Madly, Completely’ includes some solo work and was released in November 2005.

Learn more at http://www.savage-garden.net

Darren Hayes strangely looks like Dino from Eastenders…

Savage Garden were;

Darren Hayes – vocals

Daniel Jones – everything else

Columbia records

1997 Sony Music Entertainment.

The entire song was written by Savage Garden.

HMV – £6.99

Virgin – £5.99

Amazon – £7.99

©michelle hatcher (sam1942 on ciao and dooyoo) 2006

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